Thursday, July 28, 2011

TONIGHT!

The first Dialogue with Three Chords at Mr. Dennehy's Irish Pub, 63 Carmine Street, NYC.

8pm start time. 

Four short plays by Stephen Gracia, live music by Tommy Lombardozzi, and a talk back with the playwright, director, and actors.

FREE!
($3 Suggested Donation)

Tuesday, July 19, 2011

Tiny Hooks - Notes on the First Piece

The piece that opens this Thursday's D3C, "Tiny Hooks", was written to solve a problem.

The four plays that comprise the inaugural night of D3C are part of  a slightly larger collection, currently titled "We Lose Our Place & Begin Again", and the first play in this collection ends with the stage covered in thick, gray dust. This, of course. makes staging these plays difficult. "Tiny Hooks" was one the first plays I've ever written with a specific goal in mind: to get the stage cleaned up. It begins:


Setting: A stage covered with dust.
Two chairs tipped over and laying on the floor.
Emily enters
She has a blue-tooth headset in.
                             She begins sweeping up the dust and speaking into the headset.  


Simple enough, really, the actors in the previous piece leave their set behind: a table and two chairs, an ungodly amount of dust, and it's up to the next actor to set things right (or as close as possible) as she delivers a monologue on the nature and limits of mature love. 


Thematically,  it follows the piece before it, "We Find Our Own Level" (previously known as "Assfuck Brooklyn" for reasons of rebellious youth), in that it is tied to a very specific New York tragedy without directly addressing it. It's a part of the landscape. And in most plays, landscape and environment are characters themselves, but I like to think of them as characters the way Pinter-esque dread is its own character -- lingering just off-stage, psychologically weighing everyone down. 


Now, the follow-up, the afterthought, the what-the-hell-are-we-going-to-do-about-all-that-dust fix, has become the starting point, and I get to see it stand on its own. 


Dust or no, the dread's still there, I think. 


- Stephen 





Sunday, July 17, 2011

D3C - Cast List and Featured Musician

The first D3C will feature the acting talents of
Matthew Ferretti, Dan Graff, Kendra Leigh Landon, TJ Lombardo, Sean Meehan, Ridley Parson, and Susanne Stewart

Live music, before and after the performance will be provided by Tommy Lombardozzi.

Saturday, July 16, 2011

D3C Youtube Channel

Dialogue with Three Chords

A place for the words and music that influence the series, and eventually, some live clips.

Tuesday, June 28, 2011

The first Dialogue with Three Chords

The play line-up for our first night has been set!

We will be performing, on our feet with scripts in hand:

Tiny Hooks  


The Rebel Sound of Fuckin' Around


Instructions for Dancing


Fast Food Strategies

The first three are premiering at D3C. Fast Food Strategies has been work-shopped in front of an audience twice by Barefoot Theatre Company.

Cast list and Musical performer to be announced.

Dialogue with Three Chords
July 28th, 2011, 8pm - 10pm 
$3 Suggested Donation


Downstairs at Mr. Dennehy's Pub
63, Carmine Street,
Between 6th and 7th Avenue
NYC 

Monday, June 20, 2011

Announcing a Monthly Event

The fourth Thursday  of every month, Downstairs at Dennehy’s will host 
DIALOGUE WITH THREE CHORDS


A monthly collaboration between
playwright Stephen Gracia and director Michael LoPorto. 


D3C will feature new plays by Stephen, plus live music, poetry, 
and short plays by emerging playwrights. 


Start Date: Thursday, July 28th, 2011 8pm-10pm 


Mr. Dennehy's Irish Pub
Mr. Dennehys
63, Carmine Street,
New York, NY 10014
(212) 414 1223




Monday, May 16, 2011

Manifestos on Bathroom Walls.




Theatre can be many things. It can be spectacle: puppets and costumes and sets and huge casts. It can sprawl across three acts.

It can also be two people talking.

It can be street clothes and bare stages. It can be done in ten minutes. It just needs to be effective; it needs to communicate; it needs to transform.

Spectacle is good; it envelops you and thunders across you; it's arena rock. It's main stage magic.

This isn't that. This is basement theatre. This is dialogue with three chords.

Punks don't do fake Magik.